Grant

Directorate of Museums, Government of Assam

Grant Period: Over two years

For completing the photographic documentation of manuscript paintings held in Vaishnavite monasteries and private collections in Assam. A digital catalogue of scanned paintings will be made available to users through the Assam State Museum, Guwahati.

Janaki Abraham

Grant Period: Over two years

For collaborative research between an installation artist/set designer and an anthropologist towards a multimedia installation/exhibition on the visual culture of the Thiyyas, a community from North Kerala.

Lalit Vachani

Grant Period: Over ten months

For making a film on the New-Delhi based theatre group, Jan Natya Manch, that will critically explore its history and contemporary practices. Combining archival footage with documentation of contemporary performances, the film will especially focus on Nukkad Natak (street theatre).

Rajula Shah

Grant Period: Over one year

For making a film on women potters, structured as a search for roots by a contemporary studio potter, and focussing on two traditional women potters in Kutch and Manipur. By exploring the ways in which the women have circumvented the taboos associated with the potter’s wheel, the film will foreground a dialogue between tradition and modernity.

Sharada Srinivasan

Grant Period: Over two years

For a study on the cultural and artistic significance of metallurgy in Indian antiquity, that would integrate technical, archaeological and art-historical perspectives. Archival research and fieldwork combined with photographic and video documentation will provide material for a book and lead to a script for a documentary film series.

Niharika Dinkar

Grant Period: Over four months

For a dissertation on Ravi Varma’s Pauranik (mythological) paintings with special reference to his use of the feminine icon. The researcher will contextualise the artist’s work within India’s early modern visual culture by exploring the cross-currents that drove the industry for oleographs and popular prints.

Kalai Foundation

Grant Period: Over nine months

For creating a platform for shadow puppetry through a festival of performances and workshops across Tamil Nadu and Pondicherry. The touring festival is expected to help develop support systems for shadow puppeteers by enhancing their visibility and generating an audience for R.V. Ramani’s feature-length documentary film on the subject, Nee Engey.

Jagan Shah

Grant Period: Over one year

For creating a comprehensive collection of material on the Indian Peoples’ Theatre Association (IPTA). Through interviews, archival research, and the compilation of material generated on and by IPTA, the researcher will arrive at an account of the first, collective, pan-Indian cultural movement in independent India.

Kanwarjit Nagi

Grant Period: Over one year and ten months

For research towards a manual on bamboo toy-making for middle- and high-school children, to be published in Marathi and English. Another component of the research would be workshops and teacher training programmes for schools in Pune district.

The Biblio Charitable Trust

Grant Period: Over two years

For digitising the archive of a literary magazine in order to maximise its website’s potential to serve as an educational resource and be an avenue for revenue generation. Marketing initiatives that target Indian and foreign universities and institutions are expected to help the magazine to become self-sustainable.

Taran Khan

Grant Period: Over six months

For an exploration of the manifestation of Sufi thought in the lives of mofussil communities in Awadh and Punjab. The project, undertaken by a writer and a filmmaker, will enable them to approach Sufism through the filter of their different perspectives on contemporary Islam. The written texts, audio recordings and still photographs that emerge will generate material for a video film.

Soudhamini

Grant Period: Over six months

For translating a theatre group’s production Brhannala into a film envisaged as a work that will explore the intrinsic differences between theatre and cinema in relation to ideas of space and time. Members of the theatre group, who are used to sharing a physical space with the audience, would be led to re-imagine their roles when they act in the film.

Nakula Somana

Grant Period: Over six months

For an exploration, by two dancers, of the language of movement through the idioms of contemporary dance and ‘film dance’—dance seen in popular cinema—in order to understand where they intersect and how they differ. The process of collaborative creation of new work would be documented and shared in workshops and other teaching contexts.

Collective Research Initiatives Trust

Grant Period: Over three months

For an interdisciplinary workshop, led by an organisation researching Mumbai’s urban culture, to initiate multi-disciplinary collaborations on Mumbai’s industrial history and the Mill Lands in particular. The workshop is expected to catalyse a series of Industrial Museum Workshops and culminate in the setting up of an Industrial Museum Archive.

Trista Madan

Grant Period: Over one year

For conducting theme-based museum education workshops for junior- and middle-school children in eight schools in Kolkata with a view to integrating museum visits with the teaching of history in the classroom. Following preparatory research in the Indian Museum, Kolkata, educational packages and multimedia presentations will be developed as workshop aids.

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