For the making of a photo-book, artistically representing the massacre of Marichjhapi, 1979. The project aims to question the boundaries between documentary and staged photographs, while creating awareness about a historical event, the traces of which have been systematically erased. The outcome of the grant will be a book containing staged photographs, eyewitness portraits, archival materials and three essays. The Grantee's deliverables to IFA with the final report will be final draft of the book, photographs and audio-video interviews of eye witnesses, and staged images. Grant funds will pay for professional fees, honorarium, travel costs, materials costs, equipment hire and an accountant’s fee.
For the creation of an experimental film that explores the lives of a group of performers of the Chhau form from Purulia, West Bengal, going beyond their much studied practice of using elaborate masks in their performances. The project attempts to study their transformation into mythical characters for the performance as well as trace the shifts and changes in the dance form in recent times. Evocative and slow in nature, the film is an experiment in cinematic storytelling through folk narratives. The outcome of the grant will be the film. The Grantee's deliverables to IFA with the Final Report will be the film, final script, rush footage, production notes and stills. Grant funds will pay for an honorarium, equipment hire, professional fees, production and post-production costs and an accountant’s fee.
For working with the cultural history archive at the Centre for Studies in Social Sciences, Calcutta (CSSSC) which contains a wide variety of visual materials across genres from 19th and 20th century Bengal that includes books, journals, popular paintings, prints, posters, hoardings, advertisements, and commercial art productions.The archive has also recently acquired the digitised records of the Calcutta Improvement Trust (CIT) which records the urban and municipal history of 20th century Calcutta. This fellowship supports research that will focus specifically on the legacy of the Calcutta Improvement Trust, studying the growth of the city of Kolkata in the years preceding the formation of the Trust, as well as the alterations in the years that came after. The outcomes will be an exhibition, seminar, publication and other neighbourhood engagements in different parts of the city. The Fellow’s deliverables to IFA with the Final Report will be images of the exhibition, process images, audio recordings and texts, if any.
For working with the cultural history archive at the Centre for Studies in Social Sciences, Calcutta (CSSSC) which contains a wide variety of visual materials across genres from 19th and 20th century Bengal that includes books, journals, popular paintings, prints, posters, hoardings, advertisements, and commercial art productions. This fellowship supports research that will explore the relationship between the city of Kolkata and its citizens, and the many different registers through which the city is experienced. The project will locate Kolkata as a site of both colonial encounter and colonial modernity, and investigate the many mechanisms through which an ‘authentic’ experience of the city is constructed, distributed and negotiated in the everyday. The outcomes will include an exhibition, and other public events around the archive. The Fellow’s deliverables to IFA with the Final Report will be process images, audio recordings, texts and a publication, if any.
For a series of workshops over eight months and an exhibition in the historic Chitpur locality of old Kolkata. The workshops are a continuation of the ‘Chitpur Local’ project designed to re-activate the cultural life of this locality with rich history and heritage. Eight artists in collaboration with local residents, businessmen, artists, craftsmen, police and schools will create various cultural activities, innovative audience engagement and a digital archive. Outcome of the project will be the workshops and a community exhibition. Still and video documentation of the workshops and the exhibition will be deposited as deliverables. The material will also be shared on the website and social media pages of the project. Grant funds will pay for workshops costs, professional fees, community collaborators’ fees, documentation costs, honorarium, website maintenance costs, and an accountant's fee.
For the creation of a multimedia exhibition, a seminar, and performances centred on the archival collection of music and papers of the Senia Gharana exponent, Pandit Birendra Kishore Roy Chowdhury. The rich collection, comprising the published and unpublished writings of Birendra Kishore, his personal notebooks, music ephemera, and photographs, will enable critical dialogues around music pedagogy, archiving, and engaging with archival materials for musical experimentations. The seminar also aims to foreground regional perspectives in the understanding and writing of music histories. The outcome will be a seminar, an exhibition, and performances. The Grantee's deliverables to IFA with the Final Report will be still and video documentation of the exhibition, seminar and performances, and the papers that will be presented at the seminar.
For the creation of a graphic novel that explores the tumultuous history of the rule of the Left Front in Bengal and its eventual collapse in 2011. The project attempts to understand the formation of the middle-class mindscape during this time and the challenges it faces in the current political context. It aims to analyse multiple marginal voices from the fractures of history, with autobiographical references to the artist’s own life. The outcome will be a book. The Grantee's deliverables to IFA with the Final Report will be rough sketches, photographic and textual documentation and the manuscript of the book.
For support towards the study of the history of Bengali posters from 1930s to the present time. The project aims to understand the political, social, cultural and aesthetic parameters of the posters and their transformations over the years. The outcomes of the grant will be a book, essays and collectible prints of old posters. Grant funds will pay for honorarium, travel, photocopy, photography, transcription, materials, publishing and an accountant’s fee.
For working with the collections at the Indira Gandhi Rashtriya Manav Sanghralaya (IGRMS), Bhopal. The IGRMS is an ethnographic museum which demonstrates the aesthetic qualities of India's traditional life styles, local knowledge and mores, and cautions the people against unprecedented destruction of ecology, environment, local values, customs, etc. Rathin would like to explore, through his visual vocabulary, the relationship between an ethnographic object and a displaced community that is at odds with the traditional ways of life and living. The outcome will be an exhibition of objects from the museum, interspersed with new artworks that Barman will create, based on the conversations and memories of people he has interviewed from the community
For a fellowship that enables research into the archives of Hemango Biswas with particular focus on the music, communication and collaboration between the two icons of the Assam IPTA movement, Hemango Biswas and Bhupen Hazarika between the 1940s and part of the1960s. The research will focus on the period during the linguistic riots in Assam in 1960, and unearth the important contribution that these two musicians made in confronting the conflict. The outcomes will be a monograph, and a CD/DVD recording of three important songs with genre-specific instruments and other political songs by Biswas and Hazarika.