For research and documentation of the visual cultures of Northeast India, focusing on contemporary arts practices in Shillong, Guwahati and Silchar. The research will recalibrate the centre-periphery dichotomy that comes into play when engaging with the art history and practices of the Northeast, by looking at the ‘regional modernisms’ in the context of the North-East geographical and cultural affinities with South Asia and South East Asia. The project will result in an online archive, which will function as an alternative resource to supplement currently available pedagogies of art history and criticism.
For a series of performance art workshops exploring imaginative processes of performance-making. Held across different cities in the country, these workshops will result in several performance pieces, titled harkats. The performance-making processes along with critical conversations and reflections on performance art will be documented.
For research into the poetry of Malayalam poet Kadamanitta Ramakrishnan and the ritual folk performance form, Padayani, towards the creation of a new performance work. The resulting performance will try to combine Kadamanitta’s lyrics, the rhythms and theatrical expressions of Padayani—which the poet often used to accentuate and embellish his public performances—with the sound of rock, reggae and the blues.
For the fourth edition of a residency for six emerging choreographers from diverse dance backgrounds and regions. They will work with peers and mentors to develop individual pieces of work, which will be performed for the public at the conclusion of the residency.
For a three-month workshop to enable six young theatre directors from Assam to develop productions that critically engage with socio-political changes and cultural diversity in the region. Following this, the directors and their teams will tour to present the newly created performances in their respective hometowns and share their theatre-making experience with local audiences.