For the implementation of a Foundation Project by IFA that will explore the role played by Telugu-language journals and magazines, particularly Bharati and Gruhalakshmi, in shaping the discourse on art and nationalism within the context of the New Andhra School of art from the 1920s to the 1940s. The outcomes of this project will be a monograph. Alongside the text, it will contain images of the artworks, photographs, drawings and paintings. The Project Coordinator’s deliverables to IFA along with the final reports will be the monograph, rare publications purchased during the project term and a digital repository of collected images. Project funds will pay for contract fees, travel and living, printing, communication, hire of equipment, archives and library fees, purchase of books and stationery.
For the implementation of a Foundation Project by IFA that aims to study the character of four seasonal fairs in Cooch Behar, West Bengal, as sites of intangible cultural heritage by looking into the customs, traditional medicines, and food systems that operate within these fairs. The outcome of the project will be four maps by local artists (including documentation of the mapmaking process) labelled in Bangla and English, seven 10-minute-long podcasts in Bangla and English, and a website that will house all the podcasts and documentation. The Project Coordinator’s deliverables to IFA, along with the final reports, will be the four maps, seven podcast episodes, and a link to the website. Project funds will pay for contract fees, travel and living, domain and website charges, materials, purchase of books and stationery.
For the implementation of a Foundation Project by IFA that will look into the performances of women during the Mahila Kabir Yatra. The research will involve a feminist point of view to understand the performer's journey on stage and trace how the stage transforms an artist while looking at the sacrifices that a female artist has to undertake. It will also look at how the Kabir Vaani is transformed based on the gender of the artist and if these performative spaces are also acting as safe spaces for women. The outcome of this project will be a short documentary film of about 20-25 minutes. The Project Coordinator’s deliverables to IFA, along with the final reports, will be the documentary film and audiovisual documentation from the field, including stories and songs of resistance. Project funds will pay for contract fees, travel and living, materials, and hire of equipment.
For the implementation of a Foundation Project by IFA under Productions that will enable the development and creation of a series of theatrical productions in government schools and districts of West Bengal. Centred on a story developed around the fraught relationship between young adults, social media and the internet, this theatrical production seeks to move beyond the conventional practices and frameworks of proscenium theatre to find a new language of performance that would enable the performance to reach new audiences in the interior districts of West Bengal. The outcome of the project will be the series of performances. The Project Coordinator’s deliverables to IFA along with the final reports will be a copy of the final script, photographs and video documentation of the rehearsals and the final performance. Project funds will pay for contract fees, travel and living, hire of equipment, printing and stationery, materials, documentation, costumes and sets, hire of venue, purchase of books, and library fees.
For the implementation of a Foundation Project by IFA that seeks to rediscover the lost songs of Sindhi Sufi saint Shah Latif Bhitai in order to fill the gaps in the reception, recognition, and performance of his poetry. Through a rigorous process of sharing, teaching, and learning, the project aims to bring together scholars and musicians in order to study this Sufi tradition of singing and its role in community life across Kutch. The outcomes of this project will be a workshop between older and younger musicians to learn about Shah Latif’s missing surs, a booklet on the artists who perform Shah Latif, audiovisual documentation from the field, and a series of community shows, mehfils, and baithaks. The Project Coordinator’s deliverables to IFA, along with the final reports, will be the booklet and audiovisual documentation of the workshop, baithaks, performances, and artists’ profiles. Project funds will pay for contract fees, workshop, printing, documentation, travel and living, communication, and stationery.
For the implementation of a Foundation Project by IFA that will attempt to understand the evolving cultural identity of the Tangkhul Naga community through an ethnographic and performative exploration of the Luira Festival and its iterations in four diasporic sites - Delhi, Mumbai, Bangalore, and Shillong, further drawing up a comparative analysis with Luira celebrations at Ukhrul in Manipur. The outcome of this research will be a monograph and audio-visual documentation of the festival events. The Project Coordinator’s deliverables to IFA, along with the final reports, will be the monograph, audio-visual recording of the festival from five different geographical spaces, excerpts of the interviews from the field, copies of brochures, photographs, and lyrics of songs. Project funds will pay for contract fees, travel and living, documentation, hire of equipment and stationery.
For the implementation of a Foundation Project by IFA that will delve into the undocumented aspects of the Dalit Panther Movement in Gujarat, shedding light on its historical significance and the crucial role played by the Panther magazine in disseminating its ideologies. The outcomes of this project will be a comprehensive research article on the Dalit Panther Movement in Gujarat, in English and Gujarati, a multimedia exhibition complemented by a digital archive of the magazine, and audio documentation of field interviews. The Project Coordinator’s deliverables to IFA, along with the final reports, will be the research article on the Dalit Panther Movement in Gujarat, in English and Gujarati, the digital archive for the Panther magazine, and audio documentation of field interviews, capturing firsthand perspectives. Project funds will pay for contract fees, travel and living, printing, hire of venue, documentation, hire of equipment, library and archive fees, purchase of books and stationery.
For the implementation of a Foundation Project by IFA under Explorations that will experiment with the making of an artist book in the form of a dragon-scale scroll, containing the micro-narratives of the Mahakali River, as a site of spirituality, and cross-border trade. The outcome of the project will be an artist book experimenting with the form of a dragon-scale scroll. The Project Coordinator’s deliverables to IFA with the final report will be the soft copy of the artist book, and photographs of the artistic process. Project funds will pay for contract fees, travel and living, and materials.
For the implementation of a Foundation Project by IFA that aims to explore the inner world of actors through the medium of theatre. By focusing on the actor’s body, it seeks to investigate aspects of physical memory and the possibility of expansion of the acting processes through a theatrical experiment that will involve an actor and a dancer. The outcomes of this project will be audiovisual documentation of the process and a theatre production. The Project Coordinator’s deliverables to IFA along with the final reports will be the audiovisual documentation, including photographs, video, brochures and show reports, and a series of performances of the theatre production. Project funds will pay for contract fees, production, travel and living, hire of equipment, and printing.
For the implementation of a Foundation Project by IFA that will attempt to revisit the history of the documentary movement of India through the lens of gender, focusing on the first and, for a long time, the sole documentary producer, the Films Division of India. Through a feminist analysis of Films Division’s film praxis, it aims to foreground the invisibility of women’s work in the history of documentary film archives in India. The outcome of this project will be a feminist historiography of state-sponsored documentary film in early postcolonial India and an oral history resource focused on women’s film work in the Films Division (1948-80s). The Project Coordinator’s deliverables to IFA, along with the final reports, will be a written essay, recording of interviews, film DVDs, scanned copies of film posters, and other relevant para-texts obtained from Films Division and National Film Archive of India. Project funds will pay for contract fees, travel and living, hire of equipment, materials, purchase of books, and printing.
