This grant supports research that will critically examine the transmuted Loknatya form developed by Dalit writer, playwright, performer and activist Lok-Shaheer Anna Bhau Sathe during the 1940s to the 60s. Tracing the history and evolution of the form, this project will enquire into Loknatya’s legacy, and its strengths and limitations as a tool for political and cultural activism. It will probe into the reasons behind its marginalisation as well as explore the ways in which it inspired many theatre and student movements including other Shaheers after Anna Bhau. The outcome of this project will be a script for a documentary film. The Grantee’s deliverables to IFA with the final reports will be audiovisual documentation of interviews with artists and experts from the field and the final script for the documentary film. Grant funds will pay for travel, food and living costs, honorarium, equipment rental, books and stationery, professional fee, internet and phone bills and an accountant’s fee.
For research on the feminist interpretation of Oppana, a song-and-dance form practised by Muslim women in Kerala. The project will examine the presence of male fantasies and male-centric narratives in the songs of Oppana that reinforce the patriarchal notions about women in everyday life. It will also explore how different Islamic factions have influenced the acceptance of Oppana among Muslim communities in Kerala, and the ways in which a folk practice has become a popular art form. The outcome of this project will be an essay in Malayalam. The Grantee’s deliverables to IFA with the final reports will be an essay and audiovisual documentation of the Oppana performances. Grant funds will pay for honorarium, travel, food and living costs, professional fee, books, stationery and DVDs, and an accountant’s fee.
This Grant was amicably cancelled based on reasons mutually agreed upon by the Grantee and IFA due to unavoidable circumstances.
For the creation of a feature-length film to build a narrative image of the Mughal princess Zeb-un-Nissa, daughter of Aurangzeb, through her poetry, her depiction in Mughal miniatures, and the issues around the Deccan palace where she lived for some time — its current state and the need for its preservation in an increasingly polarised political environment. The film will record alternative accounts of history before they are obliterated forever and situate Zeb-un-Nissa’s poetry in the current environment of neglect, loss, and selective amnesia. The outcome of this project will be the film. The Grantee’s deliverable to IFA with the final reports will be the film and audiovisual documentation of interviews with historians as well as the English translation of Zeb-un-Nissa’s poems. Grant funds will pay for honorarium, travel, food and living costs, professional fees, equipment rental, and an accountant’s fee.
For the making of a film that will look into the lives of four vocal artists in Mizoram and Meghalaya, who are associated with the congregational and other types of choral traditions. Foregrounding ethnicities, gender, sexuality, citizenship, belief, friendship and art, the film will map their personal journeys vis-à-vis the ritualistic and performative elements of faith and the distinct expressivity of their creative processes. The outcome of this project will be a film. The Grantee’s deliverables to IFA with the final reports will also be the film. Grant funds will pay for travel, food and living costs, professional fees, equipment rental, and an accountant’s fee.
For an exploration of the inscribed plaques in temples built in West Bengal between 16th and 19th centuries. The project will focus on the names of the artisans on the plaques and trace their social, cultural, religious, and economic histories. The outcome of this project will be an essay and a set of small exhibitions held in four districts of West Bengal. The Grantee’s deliverables to IFA with the final reports will be an essay, photographs from the exhibitions and photographs and documentation of two hundred temples across West Bengal. Grant funds will pay for honorarium, travel, food and living costs, exhibition costs, professional fee, documentation, books and an accountant’s fee.
For research into the community kitchen and the history of culinary engagements of 1Shanthiroad, a studio and artists’ space based in Bangalore. By collecting recipes from artists, residents, staff, patrons, and the extended family of the space, and interviewing key figures from its history, the project will frame the kitchen and food as integral to the site and function of the space as a collective. Screenings, lectures, cooking classes, potluck dinners etc will act as triggers to activate and expand the research enquiries. The outcome of this project will be a cookbook and an open archive of materials, resources, references and audiovisual documentation. The Grantee’s deliverables to IFA with the final reports will be the cookbook and audiovisual documentation of workshops, exhibitions and interviews with the resource people. Grant funds will pay for honorarium, local travel, exhibitions, film screenings, workshops, professional fee, equipment rental, design, printing, books and stationery purchase and an accountant’s fee.
For research on the significance of artist-designer Riten Mozumdar’s life and work while exploring areas of undocumented cultural, political and institutional histories between the 1950s and 1970s. By analysing Mozumdar’s work within its economic and cultural contexts and situating his practice within Nehruvian socialistic aesthetics of the newly-independent nation, this project will attempt to address the lack of scholarship on the history of modern Indian design. The outcome of this project will be an essay on Riten Mozumdar. The Grantee’s deliverables to IFA with the final reports will be the essay, extensive visual documentation, audiovisual interviews with experts from the field and an archival presentation on Riten Mozumdar’s life and work. Grant funds will pay for honorarium, travel, food and living costs, professional fee, equipment rental, scanning and photocopying costs, library and archive fees, and an accountant’s fee.
For research on Cham, a Tibetan Buddhist ritual, at the monasteries of Kye in the upper Spiti Valley in Himachal Pradesh, and Diskit in the Nubra Valley in Ladakh. Through a comparative study of the histories, sites, contemporary performances and material culture of the Cham, this project aims to unpack the notions of ‘tradition’ and ‘authenticity’ to understand the making of and the relationships between religious, cultural and political identities. The outcome of this project will be comprehensive photographic documentation and a series of essays on the transformations impacting the form and function of the Cham. The Grantee’s deliverables to IFA with the final reports will be a series of essays and photographic documentation. Grant funds will pay for honorarium, travel, food and living costs, professional fees, books, stationery and photocopying, internet, phone bills and SD cards and an accountant’s fee.
For research to study folk songs in Haryana that have kept alive the memories of the Partition of India. Looking beyond the conventional modes of writing history, and focusing on women, this projects attempts to explore the sociocultural sphere to investigate the lasting effects of the divide on the lives of survivors. The outcome will be a manuscript for a book. The Grantee’s deliverables to IFA with the final report will be the manuscript, audiovisual documentation from the field and interviews with local resource people. Grant funds will pay for an honorarium, travel, food and living costs, equipment rental, books and stationery purchase costs, internet subscription and an account’s fee.
For practice-based research on the historical, theatrical and psychological aspects of characterisation in the performance of Therukoothu towards making a play in the form of documentary theatre. Through extensive interviews with the Therukoothu artists and by studying the process of preparing actors for various characters, the project aims to explore pedagogy, performativity and the contemporary trends that have influenced the form in various ways. The outcome will be a documentary theatre production. The Grantee’s deliverables to IFA with the final report will be audiovisual documentation of the interviews conducted in the field and the documentation of the theatre production. Grant funds will pay for an honorarium, equipment rental, travel food and stay, production costs, professional fees and an accountant’s fee.
