Grant & Projects

Anitha Balachandran


Grant Period: Over one year

For a series of short animation films based on the life and music of Ustad Abdul Karim Khan. The project explores early sound recording technology and the artist's life within that techno-social moment in history. The project will result in animation works and installations that combine archival material with pieces of obsolete technology such as old cameras and gramophone players.

Kush Badhwar


Grant Period: Over one year

For research, collation and documentation of materials from archives related to the practice of a revolutionary poet who has been an active advocate for a separate state of Telangana. This artistic engagement will be documented through photographs, text, video, and recorded audios of political discourse, conversations and interviews.

Latika Gupta


Grant Period: Over four months

For research at the Munshi Aziz Bhat Museum of Central Asian & Kargil Trade Artifacts in Kargil. It will culminate in an exhibition that will open in the Museum in September, 2014. The exhibition will re-present and contextualize the large collection of historical and ethnographic objects in the museum by constructing narratives around these objects, texts and legacies of the people who have traversed these regions.

Vikram Iyengar


Grant Period: Over eight months

For collaborative exploration between a Kathak dancer and a contemporary dancer, that poses questions for both these artists, pushing the classical dancer to open himself up to contemporary approaches of performance making; and the contemporary choreographer to work with and from the sensibilities of a classical idiom. The outcome will be a performance scheduled to premiere in December 2014.

Anurupa Roy


Grant Period: Over three months

For a 15-day puppetry workshop for nine participants from diverse artistic backgrounds with a traditional master Togalu Gombeyata practitioner. First among a series to be held over the next two years, the workshop expects to kickstart the process of building a robust discourse and pedagogy for puppetry in India through intensive training, discussions and artistic exchanges between traditional and contemporary puppeteers and other arts practitioners who draw from puppetry in form, content or aesthetics.

Pallavi Paul and Sahej Rahal


Grant Period: Over one year

For an experimental HD video film on the Mars One project that aims to set up the first human settlement in Mars. Referencing the works of Jules Verne and Franklin Story Musgrave, the video will include scientific reports, plans, charts, confessional videos, personal journals, popular cinema clips and clips of varying audio frequencies interspersed with interviews with future astronauts. The artists also plan to create an exhibition and performance from the material created and gathered for the video.

Gitanjali Sarangan


Grant Period: Over nine months

For the creation of an inclusive programme for thirty pupils of the Puttenahalli Government School and their community, which will make use of creative interventions to build awareness about the environment and water conservation in their neighbourhood.

Blaise Joseph and Atreyee Day


Grant Period: Over nine months

For the creation of a series of art-based experiential learning modules that are exploratory and open ended in nature where the child and the teacher become co-learners, at the Government Primary School, Vijayanagar in Belgaum.

Jeetin Rangher


Grant Period: over six months

For a series of site-specific performance art interventions at the Vinayaka Kalyana Mantapa, an abandoned building on Bellary Road that used to be a marriage hall until it was sliced in half during the construction of the road to the airport. 

Naveen Mahantesh (080:30 Collective)


Grant Period: over six months

For a series of performance art interventions across various spaces in Bangalore by ten artists belonging to the 080:30 Collective. Each intervention will consist of several site-specific performances in areas like K R Market, Nayandanahalli Junction and Commercial Street in Bangalore. Each of the ten artists will work with five different spaces and their projects will be chosen through a process of discussion and evaluation within the collective. 

Mallika Prasad and Ram Ganesh Kamatham


Grant Period: over six months

For a site-specific performance on an artificial climbing wall located within Phoenix Market City mall in Mahadevapura, Bangalore. The performance will be developed through a process of research into and experimentation with aerial movement, visual design, climbing techniques and urban art by the grantees who are actors and avid mountaineers.

Dimple B Shah


Grant Period: over six months

For a series of six performance art interventions on the streets of Basavanagudi and Hanumantnagar. Each performance will engage with the characteristic features of the city – its history, its colours and its people – in an attempt to examine questions about the artist’s roots and identity.

Mounesh Badiger


Grant Period: over six months

For a performance around the life and works of eminent Kannada writer Masti Venkatesha Iyengar. The performance will begin with a walk starting on the road in Gavipuram that is named after the writer, continue into Gandhi Bazaar and culminate at Bugle Rock near the Basavanagudi Club with a play devised from short stories written by Masti.

Sandeep Manjunath


Grant Period: over six months

For a theatre performance produced by the group ‘Rangasiri’ around the Kempegowda tower located in Mekhri Circle. The tower, constructed by Kempegowda II, the grandson of the city’s founder Kempegowda, is closely associated with the history of Bangalore. Through interviews with historians and an investigation of historical records, the theatrical piece will be scripted and consequently staged around the tower.

Shilpika Bordoloi


Grant Period: Over six months

For a physical theatre performance piece towards creating a personal vocabulary of movement and theatre. Based on impressions of the social, cultural and spiritual life on the river island Majuli in Assam, the performance through the medium of physical theatre will bring together movement, voice, image, light, costume and set design to evoke the spirit of the island.

Pages